By looking back to the past, to all the writings our ancestors left to us as a witness of their times and their cultures, among all beverages created by man, wine is the one which has been more frequently mentioned and it occupies a place of absolute importance. A truly singular fact, if we think we are talking about a “simple” beverage, that is something which, in its primary and essential function, should be used to quench thirst. Nevertheless wine is rarely drunk in order to quench thirst, indeed, when one is thirsty, wine is hardly thought as the solution. This is not only because of the deprecable and obvious effects caused by its abuse, first of all because wine has always played a primary role in social and cultural events among the people in which it was present, without excluding - of course - the high ritual importance to which this beverage was associated in many religions and cults. If we think to Christian religion, wine is essential in celebrating Eucharist, a ritual element considered as sacred, which therefore goes beyond the simple concept of beverage.

 With time, wine leaves its primary role of sacred beverage, it becomes a social beverage of communion, friendship, aggregation and union. It is not by chance the most important moments in the life of men are still today celebrated by wine, consumed as a beverage to wish good luck for agreements, the celebration of special events. In this sense, wine is still today considered as a sacred beverage. Despite social and ritual meanings which have been recognized to wine in the course of time, it is however undeniable wine is also a beverage capable of giving emotions. A good glass of wine - where to the word “good” everyone gives an absolutely personal meaning - it is capable of giving emotions, to satisfy a sensorial need, to have a moment of wellness. Is wine therefore capable of giving emotions? The answer seems to be, of course, obvious: certainly yes. If we ask ourselves about the kind of emotions a wine can give, the answer is certainly more complex: maybe it is even impossible to find an answer.

 The emotions a wine can give are in fact countless, as for everyone wine represents something absolutely personal. Something which goes beyond the simple act of drinking. Wine emotions are also associated to past events, persons met in the past and with whom we shared part of our lives and special moments, which are remembered with pleasure or with a negative feeling. Wine emotions are not only associated to the memories they can recall about a particular person, a specific producer, a particular grape or area. Emotions are also given by that truly personal conversation which takes origin in front of a glass of wine, a conversation which is not made by words, indeed, it is made by sensations, that is emotions. Emotions can be felt when we watch the color and the appearance of a wine in the glass: sometimes colors, nuances and brightness found in a wine are as charming as the colors of a sunset. Emotions are also given by the aromas which come out from the glass: there are wines that with time and patience can develop truly fascinating aromas that one could spend hours in listening to them.

 The great Luigi Veronelli - who is certainly missed by anyone in the world of wine, not only for all the things he did before anyone else in Italy for the beverage of Bacchus - in his truly personal communicative style, has created many words and definitions, now of common use, capable of describing the personality of a wine. For all those wines capable of catching the attention, to give emotions to the senses like a good friend, he created the effective definition meditation wines, capable of countless words and emotions, which can give a moment of wellness, of strong and satisfying emotions, that is, of meditation. The German writer Patrick Süskind in its novel “Perfume” recalls that «whoever dominates perfumes, dominates the heart of men». A definition which is pretty impossible not to agree, just because of the strong effects smells and aromas have in giving emotions to human beings. And how many emotions can give the aromas of a good wine? Endless, including the aromas capable of making us be in a field of flowers or in front of a rich basket of fruits, for example.

 The emotions a wine can give are not limited to the ones caused by the appearance or aromas: the taste can give emotions as well. Also in this case the many faces of wine taste are virtually endless, not only for the sensations of taste. In fact, emotions a sweet wine can give are different from the ones given by a red wine or a sparkling wine. Just like for aromas, also tastes are frequently associated to memories, to particular moments of life, memories of the past which in a moment become clear and strong in our mind. And it is also amazing to find in the mouth the flavors which amazed the nose first, not only a quality factor, but also the confirmation of what the nose promised. The emotion of taste goes beyond the moment in which wine is swallowed and - some more and some less - continue to give emotions with their taste olfactory persistence. It is also amazing to measure the time in which the taste of wine can be strongly felt in the mouth, until disappearing from our senses and becoming a memory.

 If we see things like this, wine seems to be a supreme beverage, almost perfect, in which we can see positive aspects only, or better to say, positive emotions. Of course, it is not like that. There also are negative emotions associated to wine, including, for example, speculations which can be done with the beverage of Bacchus, to overestimate it and to turn it into something it is not. The same can be said for the emotions - which are probably negative, but we should ask the ones who look for this kind of emotions in a wine - given by a deprecable consumption of wine which causes the negative effects we all know. After all, wine can be for men everything they want it to be and this is also true for every other thing. Positive, negative, amazing, surprising, charming, depressing, noxious or deprecable, it simply is a matter of choice. It is up to the one who decides to have wine to emphasize or to listen to the aspect which is considered the most attractive one, or simply useful in a particular moment. And it clearly is a choice the abuse of wine, something which can be hardly agreed. Maybe even in the stupidity of the abuse can be found an emotion, as well as can be found an emotion in the wisdom of being capable of loyally appreciating things, to understand them, and to listen to them, including wine and people.

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 There is a region in Italy which is getting more and more popular for the production of white wines - and not only for them - with an impeccable elegance and class, characterized by an explosion of aromas and flavors of fruits and flowers: Trentino Alto Adige. According to an administrative point of view, the region is divided in two provinces, the northern one, at the feet of Alps with strong cultural and traditional German influence, Alto Adige or Sudtirolo (Südtirol in the local language), and the southern one, with culture and tradition similar to the Italian ones, Trentino. Both areas however have in common an excellent wine production, also thanks to the favorable geographical position and local climate conditions, allowing the reaching of good results, in particular with the classic grapes which like cool climate areas, such as Sauvignon Blanc and Pinot Noir. Despite in Trentino Alto Adige are cultivated many “international” varieties, in the region the presence of autochthonous grapes is interesting as well.

 History tells us the cultivation of the vine and the production of wine in this land began in 700 b.C., when the area belonged to Raetia, renowned in ancient times for the quality of its wines which competed with the legendary Falerno. The wine of Raetia has illustrious supporters of the past, Pliny the Elder, Columella and Cassiodore. Despite the viticulture in this region was strongly promoted and developed by ancient Romans, the practice of cultivating the vine is however older and dates back to the times of Etruscans. On this regard, it is interesting mentioning a finding in Val di Cembra of a situla - a small wine bucket - of the Reto-Etruscan era. A finding which is not casual, as in Val di Cembra, at those times, it was practiced the cult of Sileno, the preceptor of Bacchus. When ancient Romans arrived in these lands, they found the vine trained in structures made of wood, a system which is considered the ancestor of modern pergola.

	Trentino Alto Adige

 Moreover, it seems in this region ancient Romans got to know about the use of wood cask for the keeping and transportation of wine: at those times they still had the custom of using earthenware vases and amphorae. Viticulture and wine production become important in this region - just like in other parts of Europe - at the times of Charlemagne as episcopates and abbeys in southern Germany were used to buy the wines produced in these areas. With the arrive of Barbarians and their devastations, most of viticulture was destroyed - sharing the same fate with other lands - therefore determining a strong decline in the production of wine even in future centuries. In the eighth century Frankish and Bavarian monasteries began cultivating vineyards in order to make the wine needed for the liturgy.

 The work of monks - in particular Benedictines - for the keeping and development of viticulture and wine production fundamental, just like in other regions of Europe. Monks saved most of the grape varieties of the region and it is believed since those times in Trentino Alto Adige were already cultivated Lagrein, Schiava and Gewürztraminer grapes - varieties which are still renowned in the area - as well as other autochthonous varieties which have extinguished today. Viticulture was practiced by monks inside the walls of their monasteries and this allowed a further development of viticulture and its safeguarding. Wine production drastically changed in the following centuries when it was subjected to changes and alternates fates in trading, until the sixteenth century when - in occasion of the Council of Trento - the Ecclesiastes who met there for the occasion had the chance to appreciate the wines of the region, therefore contributing to their spreading and notoriety all over Europe.

 The substantial contribution of monks for the viticulture of Trentino Alto Adige saw its decline in 1803, in occasion of Napoleonic wars, when Austria lost the dominion in these lands. Abbeys and monasteries were secularized and their properties - including vineyards - were given to private people. Beginning from 1867, thanks to the inauguration of Brennero railway connection, the production of wine in Trentino Alto Adige had a new commercial boost, therefore allowing the wines of this region to be known outside the borders of Italy, as well as determining the beginning of wine cooperatives. This period of commercial splendor and notoriety for Trentino Alto Adige's wine was strongly slowed down, not with the arrive of phylloxera - as it could be easily supposed - but in particular with the beginning of World War One. Phylloxera arrived in these lands in the beginning of 1900's and, despite it severely damaged vineyards, it did not cause the strong decline which was common in other European regions instead.

 After having been the main provider of wines for the imperial courts of Austria, at the end of World War One, when both Trentino and Alto Adige were annexed to Italy, the production and trading of wine had a strong decline. Only at the end of World War Two it will be seen the first signs of recovery for the enology of Trentino Alto Adige. Here, just like in other Italian regions, the recovery was characterized by a production mainly focused on quantity instead of quality. A strong recovery for the enology of Trentino Alto Adige - and of all Italy - began in the 1980's, after having understood the success of wine - not only commercial - required the adoption of strict quality criteria while abandoning the speculative politics of quantity. The change was strong and the result can be seen today as a prove of the tenacious efforts of local producers for quality, and now Trentino Alto Adige is considered one of the best wine areas in Italy, both for the production of white and red wines, as well as for the production of classic method sparkling wines.

 The wines of Trentino Alto Adige are regulated by the quality system in force in Italy which provides for the categories Vini da Tavola (table wines), Indicazione Geografica Tipica (IGT, Typical Geographic Indication), Denominazione d'Origine Controllata (DOC, Denomination of Controlled Origin) and Denominazione d'Origine Controllata e Garantita (DOCG, Denomination of Controlled and Guaranteed Origin). Despite the quality of Trentino Alto Adige's wines has strongly increased in the course of the last twenty years, in the region are not defined any DOCG areas. Trentino Alto Adige is a region with a strong and historical tradition in the production of red wines, however the region is mainly known for its excellent white wines, which take advantage of the cool climate giving a pleasing and lively acid hint. According to an enological point of view, Trentino and Alto Adige are seen as two distinct areas, most of the times the denominations of the two areas are preceded by the mention of the respective provinces. The denominations currently defined in Trentino are: Caldaro or Lago di Caldaro, Casteller, Teroldego Rotaliano, Trentino which includes the sub areas Sorni, Isera and Ziresi, Trento and Valdadige. The denominations of Alto Adige are: Alto Adige or Südtiroler which includes the sub areas Colli di Bolzano, Meranese di Collina, Santa Maddalena, Terlano, Valle d'Isarco and Val Venosta, Caldaro or Lago di Caldaro and Valdadige.

 Trentino, the southern province of the region, is mainly known for the production of red wines, in particular with the grapes Teroldego, absolute protagonist of this area, and Marzemino, famous for having being mentioned by Lorenzo Da Ponte in the libretto of Mozart's opera Don Giovanni, who in the second act made the protagonist say «Versa il vino! Eccellente Marzemino!» (Pour the Wine! Excellent Marzemino!). The citation seems to be a homage to the famous composer from Salisburg who seemed to like Marzemino wine. In Trentino, more precisely in the denomination Trento DOC, there is an interesting production of classic method sparkling wines. For the production of these wines are allowed Chardonnay, Pinot Blanc, Pinot Noir and Pinot Meunier grapes, alone or in different percentages. The minimum period of refermentation and aging on yeast in the bottle must be at least 15 months, in case the period is of at least 24 months, in the label can be mentioned vintage. Sparkling wines aging for at least 36 months in bottle are classified as riserva (reserve), a category which is allowed for white sparkling wines only, whereas for the other categories it is also allowed the production of rose wines.

 In the northern part of Trentino, in the plain of Campo Rotaliano, the absolute protagonist of wines is Teroldego, a red berried grape among the most interesting of the region. Teroldego Rotaliano - this is the complete name of the DOC - is produced in different styles, from light bodied wines to full bodied and well structured wines which can certainly surprise tasters. Among the white berried grapes, must be mentioned the most famous and interesting variety of Trentino, from which are being produced white and sweet wines: Nosiola. Used fresh soon after harvesting, Nosiola gives interesting and pleasing dry wines, however its most charming aspect is offered by the sweet wine Vino Santo - in particular in the area of Valle dei Laghi - characterized by hints of walnut. Nosiola grape is allowed to dry until few days before Easter, therefore allowing the berries to be affected by Botrytis Cinerea which will give its typical aromas and flavors. The must it is then slowly fermented in small wood barrels, where it will be aged for four years, giving, as a result, a sweet and full bodied wine, rich and pleasing.

 Alto Adige, the northern province of the region, offers an extremely interesting and rich production of wines, mainly focused on the production of excellent white and red wines. Here are being cultivated many “international” varieties, however the importance of autochthonous grapes is important and representative as well. Thanks to the particular cool climate, environmental and geological conditions, the production of white wines in Alto Adige reaches high levels of excellence, certainly among the best of Italy, characterized by the typical and pleasing acidity enriched by the exuberant aromatic freshness of fruit and flowers. The production of red wines is also interesting and excellent, in particular the ones produced with Lagrein - the famous autochthonous grape of Alto Adige - and Pinot Noir, which is this area is capable of giving wines of absolute class and elegance. Gewürztraminer - or Traminer Aromatico - is another grape to be mentioned, as well as the many wines produced with the grape Schiava, in its varieties grossa, grigia and gentile, here known as Vernatsch.

 The variety of white grapes cultivated in Alto Adige are many, some of them are pretty particular, such as Grüner Veltliner and Kerner. In this region are also cultivated Silvaner (or Sylvaner), Pinot Gris (called Rülander), Müller-Thurgau, Gewürztraminer, Pinot Blanc (Weißburgunder), Chardonnay, Riesling Renano (Rheinriesling), Sauvignon Blanc and Moscato Giallo (Goldenmuskateller). With these grapes in Alto Adige are produced amazing and pleasing white wines, in particular with the grapes which like cool climate areas, such as Sauvignon Blanc. Thanks to the cool climate of these lands, white wines are rarely aged or fermented in wood casks, here it is preferred to emphasize in a wine the fresh character of fruits and flowers, a characteristic which distinguishes wines from Alto Adige. However, even in case the producer decides to use the cask or barrique for his white wines, the result is however characterized by a pleasing and refreshing crispness.

 As for red wines, Lagrein certainly is the celebrity of this region, capable of offering pleasing rose wines - known as Lagrein Kretzer - as well as full bodied wines with remarkable longevity, better known as Lagrein Dunkel or Lagrein Scuro. Lagrein is generally used alone - with remarkable results - however it is also present in the wines belonging to the denominations Santa Maddalena, Casteller and Lago di Caldaro, as well as used with other international varieties, such as Merlot and Cabernet Sauvignon. Among the red berried grapes cultivated in Alto Adige of interest, it is mentioned Pinot Noir which, thanks to the cool climate of these areas, allows the production of excellent wines, among the best ones produced with this variety in Italy. Another important red berried grape of Alto Adige is Schiava, here known as Vernatsch, mainly used for the wines of the denominations Santa Maddalena. As for the production of sweet wines, are mentioned the ones made with the grapes Moscato Giallo (Goldenmuskateller) and - in particular - the remarkable Moscato Rosa (Rosenmuskateller), rare and elegant with its unmistakable aromas of strawberry and rose.

 In the last years there have been a lot of talking about Tocai Friulano, the great white berried grape of Friuli Venezia Giulia, unfortunately not for its enological qualities, but for a dispute which have seen it as the protagonist of a dispute in the European Court. The dispute is certainly known to everyone interested in wine, as well as it is known the verdict which have seen the defeat of Tocai Friulano, in the name only, of course. In fact, as of March 31st, 2007, our grape cannot be called with this name anymore - and among the most hypothesis about the new name, Friulano seems to be the most probable - as the term Tocai has been exclusively recognized to Hungary for the identification of its famous wines. Despite the recent events which would put a shadow on the good name of Tocai Friulano, the great grape from Friuli Venezia Giulia will continue - there is no doubt about this - to make extraordinary wines like we are used to see since many years.

 Tocai Friulano - whose presence in the territory of Friuli Venezia Giulia is proven for more than 800 years - has faced alternated moments of notoriety and quality, sharing the same fate, in this aspect, with many other Italian grapes. Up to about twenty years ago, Tocai Friulano was in fact widely used for the production of countless table wines of non truly amazing quality. Coarse wines, with deep colors and ordinary taste, was everything the production of those times was capable of offering consumers with Tocai Friulano, in those times in which it was quantity to set the rules in wineries instead of quality. When in Italy it was finally understood the success would have been necessarily passed for the strict path of quality, Tocai Friulano began to surprise consumers for its remarkable wines and today it is fully considered one of the greatest white berried grapes of Italy.

 Tocai Friulano is mainly cultivated in Friuli Venezia Giulia, although there are some vineyards present in Veneto, Lombardy and Emilia Romagna as well. In its homeland, Tocai Friulano is common all over the territory and it is used alone for the production of white wines belonging to the many areas recognized as Denominazione d'Origine Controllata (DOC) of Friuli Venezia Giulia. Tocai Friulano is also used - together with other autochthonous and international grapes - for the production of Indicazione Geografica Tipica (IGT) wines. The goal of our comparative tasting is to highlight the main organoleptic qualities of this grape, including the characteristic almond aroma that, despite it is frequent in other white berried grapes as well, in Tocai Friulano it is pretty strong. The most common vinification technique makes use of the fermentation and aging in inert containers - steel and cement - however some producers also use cask, therefore giving the wine more complex aromatic qualities although keeping the peculiarities of Tocai Friulano.

	The three Tocai Friulanos of our comparative tasting

 The three wines of our comparative tasting are from three classic areas of Friuli Venezia Giulia, also famous for other wines besides Tocai Friulano. The first wine of our comparative tasting is Scubla's Colli Orientali del Friuli Tocai Friulano, aged for 8 months in steel tanks. The second wine is La Boatina's Collio Tocai Friulano, a wine from the largest Denominazione d'Origine Controllata area of Friuli Venezia Giulia, aged in steel tanks. The third wine is Borgo San Daniele's Friuli Isonzo Tocai Friulano, also in this case, aged in steel tanks. It should be noticed all the three wines have been aged in steel tanks, therefore it will be possible to fully appreciate the expression of Tocai Friulano without any influence from wood. The vintages of the tasting will belong to the latest ones and the temperature at which they will be tasted is of 11° C (51° F), in order to allow a proper expression of the aromas and gustatory qualities. As always, the tasting will de done by using three ISO tasting glasses.

 Tocai Friulano is a grape that in many cases produces wines with intense straw yellow color, or however with deeper and more intense hues as opposed to many other white grapes, such as Sauvignon Blanc, whose wines usually show a greenish yellow color. This characteristic was well evident in the past, when the color of Tocai Friulano wines showed intense straw yellow colors as well as golden yellow, even in youth. With the improving of vinification techniques and the adoption of cold maceration, the color of modern Tocai Friulano is evidently paler - it can happen to see even greenish yellow nuances - however the color is most of the times straw yellow with different hues and intensities. Tocai Friulano, thanks to its quality, can also be aged for some years in bottle. In this specific case the evolution of the color will be characterized by straw yellow hues with increasing intensity that with time will become golden yellow.

 The first wine we will examine is Scubla's Colli Orientali del Friuli Tocai Friulano. By holding the glass tilted over a white surface, at the base it will be observed a pretty intense and bright greenish yellow color, and to the edge of the liquid mass - towards the opening of the glass - it will be observed nuances of the same color. The second wine of which we will evaluate appearance is La Boatina's Collio Tocai Friulano. By observing the wine at the base of the glass - held titled over a white surface - it will be noticed, just like the previous wine, an intense greenish yellow color and to the edge, towards the opening of the glass, nuances of the same color. The last wine that we will examine is Borgo San Daniele's Friuli Isonzo Tocai Friulano. At the base of the glass will be observed a deeper and more intense color than the previous ones, here the color is intense straw yellow, however, by observing the edge of the liquid mass, it will be noticed greenish yellow nuances, just like the previous wines.

 The olfactory qualities of Tocai Friulano are pretty vast, however the wines produced with this grape will be characterized by strong almond aroma - frequently bitter almond - and despite this is not an exclusive aromatic quality of Tocai Friulano, this aroma will be the signal of its possible presence in our glass. Tocai Friulano is also characterized by aromas of fruits - apple, pear and plum, and frequently peach - as well as flowers, in particular field flowers, hawthorn, broom, chamomile and, sometimes, hints of acacia. With time, Tocai Friulano tends to develop a particular aroma of honey, as well as of ripe fruits. In Tocai Friulano are also found aromas of tropical fruits, in particular pineapple, grapefruit and - sometimes - banana. In case Tocai Friulano has been harvested unripe, or in vintages characterized by cold meteorological conditions, it can tend to develop aromas of vegetable and herbs, such as hay, nettle and walnut husk. Aromatic herbs can also be present in Tocai Friulano wines, in particular thyme and rosemary.

 The first wine we will examine is Scubla's Colli Orientali del Friuli. By holding the glass in vertical position and without moving it, we will do a first smell in order to evaluate opening aromas. It will be perceived aromas of pear, peach, hawthorn and - despite it is less evident than the other ones - the typical aroma of almond. After having swirled the glass, it will be done a second smell that will allow the perception of aromas of broom, field flowers and hints of tropical fruits, such as litchi and pineapple. We will now examine La Boatina's Collio Tocai Friulano, aged, like the other wines, in steel tanks. By holding the glass in vertical position, it will be done the evaluation of opening aromas. After the first smell, it will be perceived aromas of pear, peach and the typical aroma of almond: a pretty similar opening to Scubla's Tocai Friulano, even though in this case, the aroma of almond is more evident. After having swirled the glass, in order to favor a proper oxygenation of the wine, we will proceed with a second smell.

 The aromatic sequence of La Boatina's Tocai Friulano will be completed by aromas of hawthorn, broom, lemon and pineapple, as well as hints of mineral and elder aromas. We will now evaluate the aromas of the third wine: Borgo San Daniele's Friuli Isonzo Tocai Friulano. The opening aromas will offer the typical hint of almond and aromas of plum and hawthorn. After having swirled the glass, we will proceed with a second smell which will allow the perception of apple, grapefruit and - just like in the previous wine - hints of mineral. As opposed to the previous wines, in this Tocai Friulano will be perceived an evident aroma of yeast, a sign the wine has been aged for some months in its lees, therefore giving more complex and rich aromas to this Tocai Friulano. Despite the three wines are from three different areas, although all belonging to Friuli Venezia Giulia, it is interesting to notice the different intensities of the almond aroma, typical in Tocai Friulano.

 Tocai Friulano is not a grape producing light wines or with a weak body. This was in fact one of the qualities for which the grape was appreciated by those producers who saw in quantity their only enological goal. Wines produced with Tocai Friulano are in fact characterized by a good structure as well as their typical crispness - giving a pleasing freshness to wine - including pretty high alcohol by volume, sometimes reaching 14%. When used alone, the taste of Tocai Friulano is pretty dry and crisp, its structure is well perceived from the first sip, in other words, it is not a wine which remains unnoticed. These qualities make this grape very useful for giving more body to other wines produced with lighter grapes: the presence of Tocai Friulano, also in this case, is not unnoticed. Just like for aromas, also in the taste the flavor of almond is pretty evident, in particular in the aromas left in the mouth after having swallowed the wine.

 The first wine of which we will examine taste is Scubla's Colli Orientali del Friuli Tocai Friulano. The attack of this wine - which can be evaluated at the first sip - is pretty crisp, characterized by a good acidity. It will also be noticed the good structure of the wine, which certainly is not light, if compared with other whites. Also the correspondence to the nose is very good and the wine is agreeable. The second wine we will examine is La Boatina's Collio Tocai Friulano. The attack of this wine is characterized by a good acidity, also in this case it will be noticed a good structure and the right contribution of alcohol in the balance of the wine. The last wine to be examined is Borgo San Daniele's Friuli Isonzo Tocai Friulano. The attack of this Tocai is characterized by a pleasing acidity, however, as opposed to the other wines, it will be noticed a higher structure and smoothness, two factors that will make the wine seem less acid. Also in this case, it will be noticed how the contribution of alcohol is fundamental for the balance of the wine.

 The organoleptic characteristics of Tocai Friulano will be evident in the final phase of the comparative tasting, after having swallowed the wine and it will evaluated the taste-olfactory persistence. Scubla's Colli Orientali del Friuli Tocai Friulano is persistent and characterized by flavors of pear, peach, apple and almond. Also the finish of La Boatina's Collio Tocai Friulano will be persistent with flavors of peach, pear, pineapple and, also in this case, almond. The finish of the third wine, Borgo San Daniele's Friuli Isonzo Tocai Friulano, is persistent with flavors of plum, pear and almond. It should be noticed that in the finish of all the three wines can be perceived the flavor of almond, although with different intensities, a quality typical in Tocai Friulano. The acidity of the three wines will also be a well perceptible quality in the final phase of the tasting. Tocai Friulano is a grape capable of making great wines, in which it is possible to perceive its typical qualities even in case it is being used with other varieties.

 In the heart of the province of Trapani, on the top of a mountain from which it is possible to enjoy a wonderful view, surrounded by suggestive streets, history and monuments witness of the passage of many cultures, is located the enchanting city of Erice, in which is located - besides the many things - the Foundation and Center for Scientific Culture “Ettore Majorana” founded by the Nobel prize Antonino Zichichi. Few kilometers from the top of the mountain where it is located Erice, is found Fulgatore, the town where are established Fazio winery's headquarter, not very far from Segesta, renowned for its famous and suggestive temple, one of the few examples of ancient monuments which arrived in good conditions up to our times. In this area - whose territory has been recently recognized as Erice DOC (Denominazione d'Origine Controllata, Denomination of Controlled Origin) - are located Fazio winery's vineyards, in the hills surrounding mount Erice in an enchanting and unique view.

	The headquarter of Fazio Winery

 Despite Fazio winery was established in 1998, the history of this winery is long of four generations which have put their commitment with passion and efforts in viticulture and wine making. The long tradition has been continued and renewed by Vincenzo and Girolamo Fazio, who introduced in the winery new structures and wine making techniques, therefore meeting the needs for a modern marketing. The renewal process has initially focused on the management of vineyards done by a team of experts and led by wine maker Giacomo Ansaldi, who worked to the improvement of production, focusing on autochthonous varieties without neglecting the most important international grapes. In order to strengthen the bonds between territory and production, Vincenzo Fazio has been involved in a project which led to the recognition of Erice DOC (Denominazione d'Origine Controllata, Denomination of Controlled Origin), whose production will be recognized by the new disciplinary from vintage 2005 on.

 The vineyards of Fazio Winery cover an area of about 100 hectares (247 acres), planted in hills at an altitude from 250 and 500 meters (820-1640 feet), in areas specifically selected for their exposition, microclimate characteristics and the geological characteristics of the soil. In these places, in which blow winds from the north and sea breezes, are cultivated the vineyards of Fazio winery and which, after harvesting, will produce their wines. The vineyards are mainly cultivated with the typical autochthonous grapes of Sicily: Inzolia, Grillo, Catarratto as for white berried grapes - including Muscat Blanc - and Nero d'Avola, as for red berried grapes. In the vineyards of Fazio winery are also cultivated the international varieties Merlot, Cabernet Sauvignon and Syrah, also known as Shiraz. However, among the “international” grapes, Fazio winery is particularly involved in the cultivation of Müller Thurgau, planted at an altitude of 500 meters (1640 feet), producing with this grape an interesting wine.

A view of Fazio winery's vineyards. In the background the temple of Segesta

 The structure hosting the cellar of Fazio winery includes the most advanced technologies, in respect of the architectural style of Sicily, in harmony with the surrounding nature. The complex is made of two distinct areas. The receptive structure, in which are located the offices and the wine shop, and the productive structure, in which it is also located a large underground cellar. Fazio winery also has cellars used for the aging of wine in which the temperature is constantly controlled. The grapes - soon after harvesting - are vinified according to the type of wine to be made. As for white wines, after destemming, the must is allowed to be in contact with the skins at a temperature of 4° C (39° F), soft crushing of berries and a very slow fermentation at a controlled temperature. As for red wines, the grapes are destemmed first and the skins are left to macerate in the must at a controlled temperature ranging from 25° and 28° C (77-82° F), in variable times and according to the type of wine to be made.

 In the beginning, the production of Fazio winery was mainly destined to the Italian market, however it took little time to catch the attention of other countries, the wines of Fazio went beyond the borders of Italy. Today the wines of this Sicilian winery are commercialized - besides Italy - in Switzerland, Germany, Belgium, Netherlands, United Kingdom, Norway, Denmark, Hungary, Russia, Poland, Japan, United States of America, Canada, Singapore and Australia. The management of Fazio winery is completely done by the family. Vincenzo Fazio, managing director of the winery, is also in charge for the coordination of production and commercialization; his wife Roberta manages and supervise purchases, supervise the feasibility of materials used in the winery as well as of the image; Girolamo Fazio is in charge for any legal aspect and the relationships with institutions; his wife Lilly is in charge of the commercialization of wines, export and penetration of markets.

 The production of Fazio winery - with a total yearly production of 700,000 bottles - is made of four ranges: “Linea Classica”, “Linea i Bagli”, “Linea Élite” and “Linea Spumanti”. The Linea Classica includes Brusìo, produced with Inzolia and Chardonnay grapes; Gàbal, produced with Nero d'Avola and shortly aged in cask; Montèlimo, produced with Nero d'Avola and Merlot grapes. The Linea i Bagli range is made of Torre dei Venti, produced with Nero d'Avola and aged in cask; Shiraz, aged in cask; three white wines respectively produced with 100% Inzolia, Grillo and Catarratto. The Linea Élite is made of Müller Thurgau, one of the best known white wines of Fazio winery; Merlot, aged in barrique; Cabernet Sauvignon, aged in barrique; PietraSacra, produced with Cabernet Sauvignon, Nero d'Avola and Merlot, aged in barrique. Very interesting are the two wines making the spumanti range: Petali Brut, made with Chardonnay and produced with long Charmat method, and Petali Moscato, produced with 100% Muscat Blanc with Charmat method.

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 Umbria is the only region of peninsular Italy which does not have coastlines bordering the sea, its “central” position, absolutely located in the inland of the country and characterized by the beauty of natural views, have made it call the green heart of Italy. Being far from the sea means - in Umbria as well as in other areas having no coastlines - the absence of fish from tables. However in Umbria is found the fourth lake of Italy, Trasimeno lake, and the region has many rivers, including Tiber which flows from north to south crossing the whole length of the region. Thanks to them, Umbrian gastronomy can count many recipes based on fish, of course, sweet water fish. Being far from the sea also means the presence on the tables of products of the earth and, last but not the least, meat, in particular pork meat. In Umbrian cooking are in fact abundantly present cereals, legumes and vegetables of any kind, wild aromatic herbs and, whenever possible, meat - pork and lamb - and sometimes sweet water fish. The only exception for sea fish is represented by dried salted cod that, after having been dried, it can be easily kept.

The exquisite “torta al testo” with its most typical matching with ham and “barbozzo”

 Umbrian cooking is simple in its definition, it is based on the genuineness of simple things capable of surprising even the palate of the most refined and exacting gourmets. A cuisine having its origins from the peasant world, made of few and poor things, however majestically seasoned with that bit of fantasy and intelligence which allowed the compensation to the opulence offered by wellness. However, in its apparent gastronomical poverty, Umbria is a land extremely rich in culinary delicacies, including his majesty olive oil, king truffle, woods capable of giving mushrooms, wild and aromatic herbs: delicacies which do not having less than other foods. If we observe the placid and suggestive views of Umbria, it could be noticed endless hills colored with the gray-green of olive trees' leaves, neat vineyards from which are being obtained excellent wines. But also large fields colored with the gold of wheat spikes, sunflowers and corn. Moreover, the green heart of Italy has a particular predilection for two foods: cereals and legumes - in particular broad beans and beans - something which makes usually define the people of Perugia with the funny saying «Perugino bean eater, the more he eats, the more they are good».

 The predilection of Umbrians to the consumption of cereals and legumes, as well as vegetables, is probably a heritage having its origins in the ancient times of Etruscans, the majestic people which founded Perugia and who established in the left bank of Tiber river until the beginning of the colonization of ancient Romans. The rich consumption of cereals - such as wheat, spelt, barley and oat - is still today very common in Umbria, proven by the richness of the countless soups made with these cereals. Also the consumption of legumes is very high, such as beans, chickpeas, broad beans and lentils, as well as the excellent fagiolina del lago Trasimeno - locally called risina because of its white and tiny seed similar to rice - an exquisite and tasty Umbrian legume. Fagiolina del Lago Trasimeno is not the only exquisite legume we can find in Umbria. Very renowned and looked for is also the extraordinary lentil from Castelluccio di Norcia, with its unmistakable taste and with seeds of tiny size, this legume is present in this area for more than 5000 years, as it is proven by some seeds of lentils found in some tombs of the neolithic era.

 With cereals - just like in other Italian regions - are made many buns and breads, including the renowned and exquisite torta al testo, a monument of extraordinary and tasty simplicity that, also in this case, has its origin from the ancient times of Etruscans. Torta al testo is a sort of a flat bread, simply made of wheat flour, water, a little of olive oil and very little of salt. In its original version, the use of yeast was not part of the recipe, however the use of beer yeast or sodium bicarbonate became common during the course of centuries. The secret and the absolute protagonist of torta al testo, very simple and poor in its ingredients, is testo, that is a disc of stone, heat on embers and on which it is put the torta to be cooked, while making holes on its surface with a fork in order to avoid its excessive rising. Torta al testo, besides being the traditional and tasty replacement for bread in Umbria, it is generally stuffed, when it is still hot and after having been cut in slices, with the tasty ham of this land, boiled vegetables - here usually called “erba” - roasted sausages, cheese and any other thing suggested by fa