The decision of Spain and France about creating national appellations - Vignobles de France and Viñedos de España respectively - has been cause of many debates, not only in the countries where they are in force. In fact, there are many detractors against these decisions, as they believe such a “wide” appellation will not give benefits to the enological quality of the country and will be detrimental for current appellations as well. Many support the fact this way it will be possible - for example - to commercialize mediocre wines by taking advantage of an appellation which benefits of the name and prestige of a whole country. Others believe this decision will be useful for the competition against the enological productions from other emerging countries and that are getting more and more market shares everywhere in the world, in particular in Asian countries, in which the interest about the consumption of wine is continuously increasing. Supporters of national appellations also believe the “advantage” of making wines capable of expressing the quality of the same grape by the union of the characteristics of different areas, such as a wine with typical aromas of an area and the body of another.

 Italian producers, who in the last recent months have been successful in exporting their wines all over the world, by even surpassing countries like France, are considering the idea about creating a national appellation in order to contrast any possible “attack' from the countries which already issued them. Being in a strong position conquered by worldwide success for the export of Italian wine, producers of the boot are asking themselves how to keep this position, possibly conquering new market shares. The problem of how contrasting the competition of emerging wine countries, seems to be one of the most recurring subjects in Europe in recent times. The fear wines produced in the countries of the so called “New World” will get the upper hand over the consumption in the Old Continent, seems to be real and concrete. Countries having no significative history or tradition about wine making are in fact successful in producing quality wines and to even sell them to convenient prices. Of course, the consumer, in case he or she has to choose to buy between a good wine sold at a reasonable price and a wine sold as much as twice the same price, it is obvious what he or she will choose, at least in general terms.

 The recent decision of allowing also in Europe the use of wood chips in the production of wine is an example on how they are trying to find alternative and cheaper ways in order to limit costs and - maybe - prices. Now, besides wood chips, could also be issued national appellations, already issued in France and in Spain: two methods with the declared purpose of taking a commercial advantage. The idea of the French and the Spanish seems to arise some debates among Italian producers who are asking themselves about the chance of creating an Italian national appellation. Needless to say, there are both supporters and detractors. Some support the idea an “Italy” appellation could be useful to strengthen the position of Italian wine in the world, whereas others support the opinion a national appellation would be detrimental for the identity and quality of local appellations. There also are others who support a purely commercial point of view, as national appellations are already in force in France and in Spain - that is in the two main competitors of Italy in the international market - then it should be advisable to create a similar appellation in Italy in order to give a prompt “reply”.

 If we take a closer look at the wine and viticultural situation of Italy, a possible national appellation would be cause of pretty complicated and practical problems. If we consider, for example, French national appellation - Vignobles de France - it allows the production of a wine with grapes - the same grape - coming from many wine areas. This model could work with French autochthonous varieties, such as Merlot, Cabernet Sauvignon, Chardonnay and Sauvignon Blanc which are considered “international” in other countries of the world, but what would happen with autochthonous Italian varieties? How could it be possible to make, for example, an Italy IGT wine with Nebbiolo or with Corvina? Corvina is virtually found in Valpolicella only, whereas Nebbiolo is mainly found in Piedmont and in some areas in Lombardy, Vallée d'Aoste and - even more marginally - in Sardinia. The same could happen for other autochthonous grapes which are more common in the country, such as Sangiovese, mainly cultivated in Central Italy.

 By considering these facts, the only feasible alternative would be making Italy IGT wines with “international” grapes only, the only varieties present in every region. And this would be an incredible paradox: a wine triumphantly emphasizing in the label the Italy brand and made with grapes which are not Italian. What kind of image this would give to Italian wine in the world? A country, with an important and ancient wine making history, that in order to give an image of itself in the world use international varieties instead of autochthonous varieties of which Italy is rich and which indisputably represents Italian wine. Does this make any sense? Alternatively, they could start the cultivation of Italian varieties in every region of Italy as to begin the production, for example, of Italy IGT wines made of Nebbiolo, Corvina, Primitivo, Cannonau, Nero d'Avola, Aglianico and so on. Who knows whether this idea would be appreciated by producers of the regions in which these grapes are present since many centuries, represent those territories and identify them in a strong and unequivocal way. And who knows what consumers would think about this.

 Whoever makes wine and makes it for commercial purposes - no doubts about this - must make a profit as well. Whoever makes wine and from this business makes a profit, must necessarily compare the products with competition, both with producers of the same country, as well as with producers of other countries. How can it be possible, in order to contrast the effects of competition, must be used methods which would have the evident result of creating a preoccupying confusion? How can it be possible no one has ever thought about the negative effects which could be caused by a national appellation with a bad quality? In case a national appellation shows - with facts - to make mediocre or bad results, the whole credibility of the country would be affected as well. Whoever makes wine must necessarily consider profit and competition. There is no doubt about this. But, at what price? At the price of depriving each wine area of their identity, an identity which took years in order to get to present results? All that for the sake of competition? Maybe the problem must be sought somewhere else, also in the eternal problem of quality sold at the right price. Quality is not a factor depending on tradition, history or the name of a country: quality is a factor depending on the precise choices of producers. No one will pay a lot of money for something that, in the facts, has a lesser value than the price at which it is sold at. Not even in case in the label is written “Italy”, “France” or “Spain”.

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 The bond Apulia has with wine, and therefore with the vine, has very ancient origins, a bond which has always characterized - together with olive oil and olive trees - the culture and the tradition of this region. Wine production in Apulia is - in terms of quantity - among the first ones in Italy, a characteristic which made the region become the “wine tank”, not only of Italy, but also of Europe. For many years the wine from Apulia was shipped to the north and to the other Italian regions, as well as to some areas of Europe, in order to be used for the blending with local wines, therefore giving color, body and alcohol. In recent years - finally - the enological situation of Apulia is changing, finally aware of the great wine potentials of the region, Apulian producers are now focusing on quality production. After all, Apulia is rich of autochthonous grapes having great potentials, such as Negroamaro, Primitivo and Uva di Troia, which in the last years have become more and more popular, therefore contributing the the rebirth of Apulian wines.

	The main wine areas of Apulia

 The history of vine in Apulia has very ancient origins and it is believed this plant has always been present in the territory of the region. Vine was probably present in Apulia before the times of Greek colonization - in the eighth century BC - however some of the varieties today considered autochthonous of this region were introduced by ancient Greeks, such as Negroamaro and Uva di Troia. From Greece was also introduced the “alberello” cultivation method, the most common one in Apulia. With the advent of the dominion of ancient Romans - after the victory against Pyrrho in 275 BC - the production and trading of wine were particularly vivid and wines from Apulia begun to be found - as well as appreciated - in the tables of Rome. In his monumental work Naturalis Historia, Pliny the Elder, in listing the varieties of Greek grapes, mentioned in Apulia were present Malvasia Nera di Brindisi and Lecce, Negroamaro and Uva di Troia.

 Pliny the Elder, Livy and Tibullus have left witnesses in their writings about the techniques used for the cultivation of the vine and the production of wine in Apulia at the times of ancient Romans, also praising - in particular - color, aromas and taste of Apulian wines. Pliny the Elder defined Manduria - the most representative territory for the production of Primitivo in Apulia - as viticulosae, that is “full of vines”. Manduria was not the only place to deserve the name viticulosae: also Mesagne, Aletium (Alezio) and Sava were defined with the same name by other authors. Other illustrious authors of those times - such as Martial - praised in their writings the quality of Apulian wines. With the construction of the seaport of Brindisi - in 244 BC - the trade of Apulian wine has a very flourishing period and Taranto, in order to facilitate shipping, was keeping huge quantities of wine in specific cellars dug in the rocks along the coast.

 Since those times Apulia become an important “deposit” of wine, a land which will made of wine, and of olive oil, two products strongly associated to its tradition and culture. However the bond with wine will be characterized by huge quantities instead of quality. Despite of this, quality wine will leave a indelible mark in the culture of Apulia: from merum, which in Latin language means “pure wine” or “genuine wine”, derives in fact the term mjere, which in Apulian dialect means “wine”. After the fall of the Roman empire, viticulture and wine production in Apulia faced a period of crisis and it will be only because of the job of monasteries and monks the two activities will be kept and continued to characterize Apulia. In the Middle Age, Apulia is still known to produce huge quantities of wine: it is not by chance Dante Alighieri, in his verses, described Apulia as «a beautiful land where the sun becomes wine». The importance and development of viticulture and wine production was well understood by Frederick II who - despite he was an abstainer - he ordered to plant thousands of vines in the area of Castel del Monte, by importing plants from the neighboring Campania.

 The wine gets a strategical role for Apulian economy and, in 1362, Giovanna I d'Angiò issues a law which forbade the introduction of wine in the territory produced outside the borders of the region. It will be only in the Renaissance wines from Apulia become more and more popular in other Italian areas and in some French areas, Apulian wines are found in the tables of nobles. Andrea Bacci, one of the most renowned wine authors of those times, mentioned in his work De naturali vinorum historia that in the areas of Lecce, Brindisi and Bari are being produced wines of “very good quality”, whereas as for the red from Foggia and of Gargano he will write they are wines of “average strength however genuine in their substance as they can be kept even for three years and also more”. According to Andrea Bacci, the best wines of Apulia at those times were the ones produced in Manfredonia. In later times - in the 1700s and 1800s - Apulia will be still characterized by the production of huge quantities of wines, never for its quality, and the excessive production becomes a serious problem, although representing a profit.

 When phylloxera arrived in the vineyards of north Italy and in Europe, the huge quantities of wine produced in Apulia were useful in diminishing the effects of this flagella, also arriving in France to fill the glasses of transalpine countries, when the production was not enough to satisfy local demand. The delay of phylloxera will favor the arrive of French businessmen in Apulia who here started making wine and exported it in France, Germany and Austria. When phylloxera finally arrive in Apulia, it will determine the fall of what seemed to be the rebirth of Apulian enology. In the following years, when everyone was trying to recover Apulian enology, in the region will be introduced other grape varieties which will progressively replace local ones and the advent of social wineries will favor a massive production of wine without any quality criteria. The production of Apulia will be mainly focused on wines destined to blending, destined to give body and color to the production of other areas in Italy and in Europe. In the years following World War Two, some stubborn and significative producers will begin to concentrate their efforts in quality, however it will be only in the 1990s, when Apulian producers will become aware of the wine making potentials of the regions and, last but not the least, from wineries coming from other regions of Italy.

 Wines of Apulia are classified according to the quality system in use in Italy. The lowest rank is reserved to Vini da Tavola (Table Wines), followed by Indicazione Geografica Tipica (IGT, Geographical Typical Indication), then Denominazione d'Origine Controllata (DOC, Denomination of Controlled Origin) and finally Denominazione d'Origine Controllata e Garantita (DOCG, Denomination of Controlled and Guaranteed Origin), the highest rank in this system. No wine area of Apulia is classified as DOCG, however in the region are defined 25 Denomination of Controlled Origin areas and precisely: Aleatico di Puglia, Alezio, Brindisi, Cacc'e Mmitte di Lucera, Castel del Monte, Copertino, Galatina, Gioia del Colle, Gravina, Leverano, Lizzano, Locorotondo, Martina o Martina Franca, Matino, Moscato di Trani, Nardò, Orta Nova, Ostuni, Primitivo di Manduria, Rosso Barletta, Rosso di Canosa, Rosso di Cerignola, Salice Salentino, San Severo and Squinzano.

 Vine and olive trees are the two plants which mainly characterize the landscapes of Apulia. In this region the wine is virtually produced everywhere, not only a resource associated to the tradition and culture of these places, but also an important economic resource. Wine production of Apulia is influenced by an extremely particular climate and by the quantity of sun rays the soil receives in the course of the year: Apulia is in fact among the most sunny regions of Italy and Europe. Ideally located in the “heel of the boot” of Italian peninsula, Apulian climate is influenced by the effects of the sea: the region is surrounded by more than 800 kilometers of sea coasts (about 500 miles) and the coasts of Ionian sea and Adriatic sea are divided by an average distance of 50 kilometers (about 30 miles). And then there is the sun, a lot of sun like in no other place of Italy, capable of reaching, in summertime, temperatures of 45° C (113° F). Alberello is the most common viticultural method in Apulia as it allows the vine to better benefit from the resources of the soil - including water - therefore improving the quality of grapes and of wine.

 The wines mainly representing Apulia are reds and roses, however in the region are also produced interesting white wines, also with autochthonous grapes. The most common white grapes in Apulia are: Bombino Bianco, Malvasia Bianca, Verdeca, Fiano, Bianco d'Alessano, Muscat Blanc and Pampanuto. The case of Chardonnay is pretty singular because - despite it is a grape having no historical connection with Apulia - it is, as a matter of fact, the most common and cultivated white berried grape of the region. The most common red berried grapes in Apulia are: Negroamaro, Primitivo, Uva di Troia, Malvasia Nera, Montepulciano, Sangiovese, Aglianico, Aleatico, Bombino Nero, Susumaniello and Ottavianello, name with which it is known in the region the Cinsaut grape. In Apulia are also cultivated international varieties, in particular Merlot and Cabernet Sauvignon. Despite of this ampelographic richness, Apulia is mainly famous for three grapes: Negroamaro, Primitivo and Uva di Troia, each of them being characteristic of specific areas. In the south part of the region - the Salento area - the most common grape is Negroamaro, the central part is the land of Primitivo, whereas Uva di Troia is the most common grape in the northern areas.

 Among the most representative wines of Apulia, the ones produced in the Salento area, and in particular in the wine area of Salice Salentino, are among the most famous ones. The wine area of Salice Salentino takes its name from the homonymous city in the province of Lecce, and here wine production is mainly about reds and roses. Salento is one of the most important wine areas of Italy for the production of rose wines and it is right in this area was bottled, in 1943, the first rose wine of Italy: the renowned Five Roses of Leone de Castris. Red and rose wines belonging to the Salice Salentino DOC area are produced with Negroamaro - the real protagonist of vineyards in Salento - and Malvasia Nera. In the Salice Salentino area are also produced two white wines: Salice Salentino Bianco - mainly made from Chardonnay grape - and Salice Salentino Pinot Bianco. Another interesting wine is the Salice Salentino Aleatico, produced in the sweet and fortified styles, in which can be added small quantities of Negroamaro, Malvasia Nera and Primitivo grapes.

 Primitivo is the most common grape of the central part of Apulia and with which is produced the famous Primitivo di Manduria, one of the most famous DOC areas of this region. Despite today Primitivo is considered one of the many autochthonous grapes of Apulia, it is believed this varieties is genetically similar to Plavac Mali, a grape from Dalmatia and which is also known in California as Zinfandel. It is very likely Primitivo was introduced in Apulia in the 1700s and it takes its name from the fact it tends to ripe in advance than the other varieties. For this reason it was called primativus - or primaticcio - from which derived the modern Primitivo. The famous wine of Manduria - which is also among the most famous wines of Apulia - is produced with 100% Primitivo aged in cask or in barrique. Primitivo di Manduria is also produced in the dolce naturale (naturally sweet) and liquoroso (fortified) style, the latter being produced in the sweet and dry styles.

 Going towards the northern part of the region, in vineyards is mainly found Uva di Troia - also known as Nero di Troia - the main variety in the Cacc'e Mmitte di Lucera DOC wines. Uva di Troia is also used alone for the production of interesting red wines. Despite Apulia is mainly known for its red wines, in this region are also produced white wines and some denomination of controlled origin areas make this style of wine only. It is the case of Locorotondo and Martina Franca areas - both produced with Verdeca and Bianco d'Alessano grapes - and Gravina, whose wines are produced with Malvasia del Chianti, Greco Bianco and Bianco d'Alessano. Among the white wines is mentioned Moscato di Trani, a sweet wine produced with Muscat Blanc. Among other DOC areas of Apulia are mentioned Alezio, Brindisi, Castel del Monte, Copertino, Gioia del Colle, Gravina, Ostuni, San Severo and Squinzano. Finally, of particular interest, are the wines belonging to the Salento IGT appellation, in particular the wines produced with Negroamaro and Primitivo grapes.

 Syrah is the most common grape of Rhône Valley, France. Despite its origin is, for many aspects, uncertain - some in fact believe it is from the Middle East - reliable information suggest with this grape were produced wines in the Rhône Valley since the times of ancient Romans. Syrah followed the same destiny of other French grapes - today defined “international”, however French - and from the Rhône Valley it spread in all the wine countries of the world, sometimes changing its name in Shiraz, such as in case of Australia and South Africa. The name Shiraz is sometimes used in other countries as well, such as Italy, however Syrah or Shiraz refer to the very same grape. Despite it is the typical grape of red wines in Rhône Valley, Syrah is frequently associated to the wines produced in Australia, probably introduced in 1832 and that in this country showed since then excellent productive potentials.

 Syrah is mainly used for the production of mono varietal wines, however its use is frequent for the production of blended wines as well, therefore contributing to the body and aromatic profile of the wine. Frequently used with other French grapes - in particular Cabernet Sauvignon and Merlot - Syrah is also vinified with the local varieties found in the countries in which it is present, such as - in case of Italy - Sangiovese, Nero d'Avola, Corvina and Barbera. Despite the production of Australia makes very interesting wines with Syrah, this grape is mainly associated to the red wines of Rhône Valley, in particular the ones from the appellations of Cornas, Côte-Rôtie, Crozes-Hermitage, Hermitage and Saint-Joseph. As for Australian Syrah - or Shiraz - the best ones are from the areas of Barossa, Coonawarra and Hunter Valley. In the rest of the world, Syrah is common in South Africa - where it is known as Shiraz - and its spreading is becoming more and more important in Italy and California as well.

 Wines produced with Syrah - including the ones produced with the blending of many grapes - can be recognized by the typical organoleptic qualities, in particular, in the aromatic profile. Among the many aromas which can be found in Syrah, the ones being more frequently associated to this grape are plum and black currant, however Syrah is mainly famous for the unmistakable aroma of black pepper. The intensity and cleanliness of black pepper aroma in Syrah depend on the vinification techniques, in particular the type of cask and the type of wood used for aging. Thanks to its qualities, wines produced with Syrah are characterized by a good body - most of the time having a full body as well - a quality which is accentuated with the use of cask which in turn contributes to “smooth” the harshness of the tannins found in this grape. Despite the most common aging technique used for Syrah is the cask or barrique, in some cases producers choose inert containers, such as steel tanks.

	Everything is ready for our comparative tasting about Syrah

 The goal of our comparative tasting is to understand the organoleptic qualities of Syrah by evaluating three mono varietal wines coming from three different areas. Besides the different area of production, the three Syrah wines of our tasting have been aged for different periods, although in all the three cases the container used for aging was the barrique. The first wine of our comparative tasting is Casale del Giglio's Shiraz, produced in the area of Latina and aged for some months in barrique. The second wine selected for the tasting is Spadafora's Sole dei Padri produced in Sicily and aged for 12 months in barrique. The last wine is from the Rhône Valley, France: Cave de Tain l'Hermitage's Hermitage Rouge Nobles Rives, aged for 18 months in barrique. The wines of the tasting will be served at a temperature of 18° C (65° F) and, as usual, we will use three ISO tasting glasses.

 Syrah is a grape with a high content in coloring substances, therefore its wines will tend to show pretty intense and deep colors, as well as a pretty limited transparency. Color and transparency, just like any other grape or wine, are strongly affected by cultural yields, quality of the grape and vinification techniques. Wines produced with Syrah grapes harvested in vineyards with low yields will always show a deep ruby red color and a very low transparency, frequently impenetrable to light. During the first years, these wines will show purple red nuances, a characteristic that quality Syrah wines will usually keep for some years. With time and aging in bottle, Syrah wines will follow the development usually observed in red wines. After some years, the ruby red color will become garnet red and then brick red, whereas nuances, from purple red, will get a ruby red color and then garnet red, finally brick red.

 The first wine of which we will evaluate aspect is Casale del Giglio's Shiraz. By holding the glass tilted over a white surface, we will observe, at the base of the liquid mass, the color. It will be observed an intense ruby red color and a pretty limited transparency, because of the content of coloring substances in Syrah. The nuance of this wine, observed at the opening of the glass and still held in a tilted position, will show a ruby red color. let's now pass to the evaluation of the second wine: Spadafora's Sole dei Padri. The wine shows, when observed by holding the glass tilted, an intense ruby red color and nuances of garnet red. Also in this case transparency will be very low, even lower than the previous wine. Let's now pass to the third wine of our comparative tasting: Cave de Tain l'Hermitage's Hermitage Rouge Nobles Rives. Just like the previous wines, also in this case will be observed an intense ruby red color, garnet red nuances and a pretty limited transparency.

 Syrah is used both for the production of mono varietal wines as well as for the production of blended wines with many grapes. Also in case of blended wines, olfactory qualities of Syrah are always well perceptible, in particular black currant and, frequently, the aroma of black pepper. Despite Syrah is frequently associated to the aroma of black pepper - a quality which is however found in other grapes as well - this not, of course, its only olfactory quality. Typical aromas in Syrah directly recalls the ones of fruits - in particular black berried fruits - such as plum, black cherry, black currant, blueberry and blackberry. The world of flowers is mainly represented in Syrah by the aroma of violet. Syrah is a grape rich in polyphenols, therefore the most frequent vinification technique used for this grape is the cask or the barrique. The aging in wood, together with the aging in bottle - which in case of Syrah can also be of more than ten years - wines produced with this grape will also develop tertiary aromas. Among the many are mentioned vanilla, licorice, tobacco, black pepper, chocolate, cocoa and leather, as well as balsamic aromas of eucalyptus and menthol.

 We will begin the olfactory evaluation of the three wines from Casale del Giglio's Shiraz. By holding the glass in vertical position and without swirling, we will analyze opening aromas, made of aromatic substances whose molecules require a little of oxygen in order to volatilize. The first smell will reveal aromas of black cherry, plum and black currant, three typical fruit aromas in Syrah and that are however common in other grapes as well, such as Cabernet Sauvignon and Merlot. After having swirled the glass, in order to favor the volatilization of aromatic substances made of “heavy” molecules, we will proceed with the second smell. It will be perceived aromas of blueberry, violet, pomegranate, as well as hints of vanilla, carob and the typical aroma of black pepper, not very evident in this wine but however perceptible. Let's now pass to the second wine of our comparative tasting, Spadafora's Sole dei Padri, which, as opposed to the previous wine, ages in barrique for a longer time.

 By holding the glass in vertical position and without swirling, we will proceed with the first smell in order to evaluate opening aromas. The aromas which will be perceived from the glass are black cherry, plum and black currant: an opening similar to the previous wine, however announcing a higher complexity. After having swirled the glass, we will proceed with the second smell, from which will be perceived aromas of blueberry, blackberry and violet followed by vanilla, licorice, cocoa and black pepper, as well as a pleasing balsamic sensations of eucalyptus. As opposed to the previous wine, Sole dei Padri is characterized by a higher complexity, mainly because of a longer aging in barrique which, among the other things, emphasizes the aroma of black pepper. Let's now pass to the third wine of our comparative tasting: Cave de Tain l'Hermitage's Hermitage Rouge Nobles Rives. Opening aromas of this wine will be characterized by black cherry and plum as well as a clear aroma of black pepper, in this wine more evident than the previous ones. The second smell, after having swirled the glass, will complete the olfactory profile of this Hermitage with the aromas of blueberry, blackberry, tobacco, vanilla, licorice and chocolate.

 The content in polyphenols found in Syrah is pretty high, therefore its wines - besides showing pretty intense colors and low transparency - are characterized by a good body, frequently robust as well. The high content in polyphenols - and therefore in tannins - makes Syrah pretty suited for the vinification in cask, more frequently in barrique, giving the wine a higher roundness and, at the same time, increasing the body. The high content in polyphenols - both the ones found in the grape as well as the ones passed from cask - require a proper quantity of alcohol in order to ensure the wine a right balance. Wines produced with Syrah generally have an average alcohol by volume of 13.5%, a characteristic which also contributes to the longevity of wine. The attack of Syrah wines is generally characterized by a pretty evident astringency - caused by tannins - therefore the perception of body will be evident. Also the burning sensation of alcohol will be evident, which will balance the effect of tannins.

 The first wine we will examine is Casale del Giglio's Shiraz. The attack of this wine is characterized by a perceptible astringency which will be well balanced by the presence of alcohol. It should be noticed the good body of the wine and the intensity of flavors, well correspondent to the aromas perceived to the nose. Let's now pass to the evaluation of the second wine: Spadafora's Sole dei Padri. The attack of this Syrah will be characterized by a higher astringency than the previous wine, however having a pleasing roundness, also because of the higher content in alcohol and the longer aging in barrique. Also in this case, the correspondence to the nose is very good. Finally, let's pass to the evaluation of the third wine: Cave de Tain l'Hermitage's Hermitage Rouge Nobles Rives. Also in this wine the attack will be characterized by an evident astringent sensation caused by tannins, however this sensation will be rapidly replaced by alcohol, making the wine balanced and round. Just like the previous wines, also in this Hermitage the correspondence to the nose is very good.

 After having completed the three main phases of our comparative tasting, let's now taste once again the three wines in order to evaluate their taste-olfactory persistence. The finish of Casale del Giglio's Shiraz is persistent, leaving in the mouth pleasing flavors of black cherry, plum and black currant: a typical finish for wines produced with Syrah. Also the finish of the second wine - Spadafora's Sole dei Padri - is persistent, leaving in the mouth, besides a sensation of higher body than the previous wine, pleasing flavors of black cherry, plum, black currant and blueberry. The finish of the last wine, Cave de Tain l'Hermitage's Hermitage Rouge Nobles Rives, is persistent with clean flavors of black cherry, plum, blueberry and black currant. In all the three wines should be noticed how the aging in wood is very balanced with the organoleptic qualities - both olfactory as well as gustatory - giving the wines a pleasing roundness and a sensation of lesser harshness of tannins.

 Being successful in achieving the right balance in respect of tradition, innovation, experimentation and quality, is not always easy. In particular when primary goal is quality, high quality, which therefore requires the revision of traditional concepts, by improving them with the support of modern concepts and the full respect for the nature of traditions themselves. However high quality is not a factor which originates by chance, it is the result of precise choices, the awareness this can be obtained only in case compromises are not accepted, a result requiring strictness and culture, in the awareness also time plays its essential role and that only determination in getting the best allows the understanding of this. These are the concepts and the atmosphere which can be breathed by visiting Fattoria Le Capezzine - the heart of the prestigious Avignonesi winery of Montepulciano - where each detail is scrupulously cared, from vineyard to bottle, without compromises and with the determination of getting the best possible quality.

	Fattoria Le Capezzine: the heart of production of Avignonesi winery

 Avignonesi winery has very ancient origins and there are no reliable information on when it was established. It can be supposed Avignonesi is one of the most ancient wineries of Italy, as its existence is documented even before the second half of sixteenth century, period during which was built Avignonesi palace of Montepulciano by the famous architect Jacopo Barozzi, also known as “il Vignola”. Worldwide prestige and notoriety of this Tuscan winery is the result of Ettore and Alberto Falvo brothers who in 1974, already proprietors of the Tenuta La Selva, decided to acquire Avignonesi winery by completely restoring it. Since those times their goal for quality was very clear and therefore began to invest on viticulture. A good wine - as it is known - is created in the vineyard first and in then in cellar. In the course of time, in Avignonesi's vineyards were introduced and selected varieties of French origin, such as Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, Merlot and Pinot Noir, as well as typical varieties of the area.

 Avignonesi is currently made of four productive units: Fattoria Le Capezzine, I Poggetti, Tenuta La Selva and La Lombarda, for a total of 225 hectares, of which 109 destined to the cultivation of vineyards and 3 to olive trees. The heart of Avignonesi winery is Fattoria Le Capezzine, which is located in Valiano - few kilometers from Montepulciano - in an estate of the 1800s. Here are found the vinification facilities, aging cellars, oil mill and the prestigious - as well as suggestive - vinsantaia, where hundreds of caratelli (small oak barrels) full of precious Vin Santo spend about ten years waiting the patient job of time to make them nectars of rare elegance. Vin Santo is in fact one of the most prestigious products of Avignonesi: not only an exclusive pride of this winery, but also a philosophy of life and a way to see wine, its culture and its tradition. And for Avignonesi Vin Santo is something to be made without compromises, by aiming to quality only and to keep the culture and tradition of this magnificent wine.

The suggestive Avignonesi's vinsantaia where caratelli of precious Vin Santo ages for the ten years

 What represents Vin Santo for Avignonesi can be understood by listening to the genuine enthusiasm of Ettore Falvo when he talks about this magnificent wine produced in his winery. The same enthusiasm which can be perceived in the words of his daughter Elena when she tells the story of her family's Vin Santo, the heritage of caratelli - the small barrels in which Vin Santo is aged - passed by generations in generations. And for Avignonesi Vin Santo is something which is produced with genuine passion, something which can be understood in Ettore Falvo's words: «Vin Santo is not a way to increase profits or make money. It does not care how much time it is going to take, how much energy and money it is going to take. What really counts is quality only. The harder to reach, the higher the satisfaction and, usually, the better the result». For Avignonesi, a very important role is played by experimentation and the use of quality cultural techniques. It is the case of the vineyard cultivated with the “alberello” method and with vines planted in settonce pattern, in order to ensure a better development of roots and a better exposition to sun rays, as no plants is going to be covered by another, therefore ensuring a better ventilation.

 Also for experimental purposes, Avignonesi has created a special vineyard, called vigna tonda (round vineyard) because of the “radial” disposition of rows, in which is cultivated Prugnolo Gentile only - the main grape of Vino Nobile di Montepulciano - grafted to different rootstocks and with different densities. The purpose of this vineyard is to understand the influence both of density and rootstocks on the quality of grapes and, therefore, of wine. All this in order to improve Vino Nobile di Montepulciano, one of the most representative wines of Avignonesi - one of the many, to tell the truth - and which, in particularly favorable years, is produced in the excellent reserve style “Grandi Annate”, of which the last vintage was 1999 and the next one, of imminent release, will be 2003. Among the most representative products of Avignonesi are mentioned Cortona Chardonnay Il Marzocco, aged for 6 months in barrique, and Cortona Merlot Desiderio, aged for 12 months in barrique, in honor of “Desiderio”, a bull belonging to the “chianina” race which lived in Fattoria Le Capezzine in the second half of 1800s, depicted in the label of this excellent wine.

 And then the two Vin Santo wines, renowned and celebrated everywhere in the world for their indisputable quality. The first one of them is produced with Grechetto, Malvasia Toscana and Trebbiano Toscano, aged for ten years in the caratelli of vinsantaia and from the crushed skins is produced a grappa aged in barrique for at least three years. The second one is Vin Santo “Occhio di Pernice”, produced with Prugnolo Gentile grape, also in this case aged for ten years in caratelli: simply a monumental Vin Santo. The current production of Avignonesi is of about 700.000 bottles per year and wine production is led by the talented wine maker Paolo Trappolini. The job done by Avignonesi in the commercial and productive aspects has allowed the prestigious winery of Montepulciano to reach the highest appreciation all over the world: wine which does not only identify the Avignonesi style, but also the territory from which they are from. Avignonesi wines are mainly distributed in the United States of America, Italy, Germany and in more than 37 countries of the world, of which the main ones are Switzerland, Japan, Belgium and United Kingdom.