One of the discriminating factors between falling in love and love is time. It
is easy to fall in love with traditional balsamic vinegar, however it takes more
to love it, just as the same when you decide to dive in the deep after having
being fascinated by the beauty of the sea. After having met vinegar, even by
chance, it takes culture, curiosity and an open mind, the will to understand the
meaning of long time, patience of waiting, the will to mix a piece of your
vital processes with this product, taking its origin from nature which however
needs attention and care (just like us), in order to make the decision to take
it with us in our journey.
This is what happens to a young accountant with a degree from Bocconi University
(Milan, Italy) and having a pretty marginal interest for wine and its products,
when Modena's balsamic vinegar crosses his way. From that meeting born an
initial and discrete interest, however enough to light the sparkle of a growing
curiosity. It is then revealed a story dated back to the fifteenth century, of a
food the brides of the higher society of Modena and Reggio Emilia brought with
them as a dowry. A story made of ancient traditions and that patriarchal
families passed from a generation to another, passing the invaluable heritage of
the set of small barrels required to make vinegar according the recipe every
family secretly kept as a distinctive mark. A truly fascinating story which led
our young accountant to write his own story to be added to such an important
story: an attempt of personal production (and with the risk of ending up being
ambitious) in Lodi, his city, in Lombardy, Italy, in order to replicate the
legend of Modena's balsamic vinegar.
He studies a lot, he gets the wine and three small barrels (the minimum number
required by vinegar productive laws) and begins his adventure. Life sometimes
does not care about our will or our expectations, sometimes has different plans
for us. It will be then his father, with his sorrow, to let his son's dreams
come true, made of projects and sketches, in order not to send them in the dark
of a tormenting sorrow. It may seem not that much, but it is the only way left
to him in order to continue considering himself a father, to take care of his
son's dreams and to put all of his efforts in those projects and, in my opinion,
the will of passing to his granddaughters the interest for ancient traditions.
He has no doubts: he sets up a proper loft, with no heating system, as set by
the production disciplinary and, after having completed it, also sets up seven
barrels made of different woods and with a decreasing size. In the bigger barrel
will be kept the younger product, in the smaller one the mature vinegar. A set
of barrels made like this: cherry wood (50 liters), ash wood (40 liters), oak
(30 liters), acacia (25 liters), mulberrytree (15 liters), juniper wood (15
liters), oak (10 liters) and destined to the evolution and aging of vinegar.
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The set of barrels used for the
production of traditional balsamic vinegar | |
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He contacts a vinegar maker in Modena and therefore gets some cooked must -
obtained from the indigenous Trebbiano di Spagna grape - which will be kept in
the barrel, currently defined in Modena as Badessa (Italian for
abbess), the bigger of the set and destined to feed and support all the
other ones. The method, in fact, provides for the integration of the liquid
fractions evaporated with time or drawn off from the last barrel (the smaller of
the set) by replacing it with the product of the preceding barrels, with an
equal quantity of vinegar. The system is similar to the Soleras method used for
the production of Sherry (Jerez) or Marsala.
After having obtaining the supervision of the productive phases, production
techniques and the control of the many processes, the story started by the son
can finally be written, with scruple, daily attention and a loving care.
Finally, traditional balsamic vinegar, born in Modena and adopted in Lodi,
reaches in 2009 the goal of the minimum aging of 12 years and it is now ready
for tasting by drawing it off from the smaller barrel. Here they are the
organoleptic notes I written in its identifying card, fruit of the very personal
tasting I did as a sommelier and without any claim of being official. In fact,
in this case it would be needed the title of traditional balsamic vinegar expert
taster, a title I don't possess. It is just a simple attempt, made with the
humbleness of a passionate lover of His Majesty Modena's traditional balsamic
vinegar:
Appearance: dark and brilliant brown color, very limpid, good and
syrupy density;
Smell: fine aromas, pleasing, balanced and persistent supported by a
good acidity promptly balanced by a round touch;
Taste: sweet and sour, harmonic; the attack is acid and seems to
prevail over the rest, rapidly replaced by round flavors and producing a balance
for a very long time in which can be perceived balsamic and spicy flavors with a
correspondence to the aromas perceived to the nose;
Overall: a product still young and in evident evolution, with a strong
attack followed by a round sensation on a pleasing acidity hard to forget.
Our traditional balsamic vinegar produced in Lodi, has something more than its
noble brother of Modena. To the taste-olfactory sensations is added the charm of
the heart: the meeting of someone capable of being a generous and discreet
fellow, capable of sharing his life and to mix up personal stories, different
and sometimes complicate, in an unique vital project in continuous evolution,
thanks to a mutual exchange of energy and emotions. For this reason, it cannot
be, and does not want to be, considered in any way as a commercial product, as
it is just a product of personal sentiments and of disinterested relationships
in order to show, once again, the strong connection between wine culture and
history of man.
Rino Lombardo
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